Sunday 5 August 2012

Clubs: Tuesdays at Subway City

As a side note, I’d like to mention that my first 3 reviews were written for a different audience. Indeed, they were published on a different website for a professional purpose and I merely used them in order to start up this review blog. The following reviews will probably be more personal, humorous and generally appealing. Like the Queen doing a spot of acting.

Further to that side note, I’d also like to mention that the following review is extremely biased due to the delightful effects of what is known as the green fairy upon the body and mind. Plus about six or seven double vodka and cokes.

Subway City- Tuesdays.

I’ll be honest, I still am not entirely sure where Subway City is, although I do have a memory of wandering across a highway with a certain ragamuffin mumbling ‘it’s opposite KERRANG!’. So, in that case it’s somewhere near Kerrang! Radio station and it barely costs anything to get there in a taxi from Birmingham city centre.

I think I would describe the security as reasonable. They did after all search my very menacing rucksack and removed the extra can of Strongbow I had run off with from previous watering hole and my can of lynx. I was a lot more upset about the lynx. They didn’t however spot the can of Strongbow I put in my inner pocket of my jacket or the deodorant that was at the bottom of my bag. I proceeded to find my friends and open my jacket flasher style proclaiming ‘but they didn’t find this one!’ at my half drunk can of Strongbow that had spilt all over my pocket. It also appears you can flirt your way back in if you get kicked out and also if you kick the little coffee table over but put it back they don’t mind too much.

Cost wise I was impressed. Well I would’ve been if I had any money at the time. £3 entry with no drinks card or £10 entry for 10 free drinks which get stamped onto a piece of paper. If you are in a large group do the clever thing and have some of you pay £10 and some of you not then steal each others drinks cards in a fight to the death. Especially if you’ve pre-drank. It’s entertaining and cost effective!

I have to say my first memory of the main room was walking up the balcony and spotting two young things in the corner engaging their primal instincts with various thrusts and moans. On that note I think you can start to assess if this is your sort of place. If you are a spirited young thing with indifference to free love continue on into the mildly sleazy dance floor and lose yourself in flowers, vodka and sweat. Also on that note for the ‘players’ amongst you I’d mention it’s extremely easy to pull here. And probably just as easy to pull an STD. Holla to the chlamydia people that accost you by the toilet. If I had been more sober I may’ve done it, purely for the pink glowstick.

The layout is pretty simple, bar and sofa area as you go in, which leads to the main room (complete with balcony), which (if you work it out) leads to another room at the back.  There is also a smoking area toward the right of the bar. If you’re a claustrophobic smoker, I wouldn’t recommend, it gets pretty damn crowded. I spent most of my time in the main room, often on the balcony, until I got bored of watching two drunken young things I came with and stumbled down the stairs to go and terrorise the peasants. The main room is very grey, with very nice bricks, and a stage which apparently I fell on. I don’t remember. My bruises do though. The second room I remember having a red tinge. Although I spent most of my time trying to convince a girl to dance. She gave me a rose, score.

I remember someone telling me it was supposed to be 90’s night, I believe they played some of the regular anthems with albinos and mosquitoes etc. but it did descend into commercial music at some point- personally I don’t mind but others might’ve been upset. Turns out the DJs are pretty nice anyway, they did let another ragamuffin I came with dance on the speakers all night so she was lifted above us all like a dancing goddess of fun. Or it was subliminal foot torture, I’m not sure.

I just wish they hadn’t stolen my lynx.
In general a very cost effective and music-friendly place, if you’re up for a bit of brum clubbing on a Tuesday night, go for it. I also hear the concrete outside is a cracking place for a nap.

Rating: 3 Stars

Wednesday 25 July 2012

Music: Bellowhead live at Lichfield Cathedral


Bellowhead

There was a definite buzz in the air upon entering Lichfield Cathedral for Bellowhead’s sold out show. The rear of the Cathedral had been transformed into a perfect performance space for a spectacle I’m sure had never been seen before in Lichfield!

The cathedral proved to be a perfect setting for the band, with the lighting creating a dramatic atmosphere to match the bands huge and lively sound, that hit the roof and carried round the cathedral with such funky force that from the moment this 11 piece folk band rocked onto the stage, toes were tapping, heads were nodding and hands were clapping along. Indeed, by the interval some people at the back were already dancing!

It is not often that a folk band is popular, but the sheer enthusiasm and love of music that Bellowhead show, topped off nicely with Jon Boden’s vocals, could win anyone over. This was quite simply; fun music and people of all ages loved it. It wasn’t long into the second half before men, women and children were jigging down the aisles to the front and creating a hopping, dancing, jumping and clapping cathedral moshpit!

They proved themselves to not be all upbeat tunes with my personal favourite of the night, ‘Amsterdam’ which was beautifully sung and executed, leaving had everyone holding their breath in awe of the whole band.

 Definite crowd favourite however, was the finale (although they obliged the demanding crowd two encores) ‘London Town’ which had everyone singing along to the chorus and joining in the dance moves.

This is a band that is set to become live music legends. What also helps is that they are simply so likeable, dancing together onstage, adding in small moments of banter between songs and yet still staying so musically tight and faultless.

Even if you are not a regular listener of folk music, I urge you to go and see a Bellowhead show because it’ll be one of the best gigs and most fun you have and if you are a fan of folk, and haven’t yet seen them, where have you been?!?

Rating: 5/5 stars

Tuesday 24 July 2012

Theatre Workshop Review: RSC Page to Stage


Page to Stage- Actors Masterclass

Anyone else may have been disheartened by the small group that arrived at Wade Street Church for the Actors Masterclass, but not Alix Manning who had travelled from the Royal Shakespeare Company in Stratford to put us through our paces and breathe new life into Shakespeare texts. Full of life and interested in hearing about all our individual backgrounds (Shakespeare based or not) it was hard not to immediately warm to her.

I have to admit, 20 minutes in when we had warmed up and were reading the prologue from Romeo and Juliet; exploring the mechanics of iambic pentameter I was worried. Was this going to be just like any other Shakespeare workshop? I was happily proved wrong.

The next hour and a half was an extremely enjoyable and highly interesting workshop in which we delved into Hamlet’s grief, experimented with atmosphere and thrashed out a verbal boxing match between Kate and Petrucchio of Taming of the Shrew. The workshop worked in really getting you involved in the language of Shakespeare and being able to perform it, whether you were a fan or not. Indeed, one participant freely admitted at the start of the session she did not like or understand Shakespeare, but by the end of the two hours was readily offering her own interpretations and performing to the whole group. Which I believe just goes to show, Shakespeare was meant to be seen and not read.

 The smallness of the group worked to our advantage as we all got to show and discuss each other’s take on every part, emphasising Manning’s strong-held idea ‘there is no right or wrong way to interpret Shakespeare’. However, it would have been great to have a slightly larger group purely for variety.

This is the third year these workshops have been run at the Lichfield Festival and they plan to return next year, I highly recommend them for all Shakespeare enthusiasts alike, and also to those who struggle with Shakespeare, you will not be disappointed and will leave the session enlightened.


Rating: 4/5 Stars

Thursday 12 July 2012

Theatre/Film Review: Mark Kermode

09/7/12
Lichfield Garrick
Mark Kermode
The Good, The Bad and The Multiplex

If, like me, (to I’m sure, the horror of many in the room) you had never heard of Mark Kermode previously and had only for the sake of research read his Wikipedia page, you may have felt slightly daunted and intimidated before entering the show. Indeed, I expected to be told every opinion I’d ever had on film was wrong and should be burned. But this was not the case.

Mark Kermode opened the show with an anecdote- about two people he had met here before the show- immediately giving a sense of inclusion that continued throughout the 70 minutes we got to enjoy his company. It was clear that a majority of the audience were long-time fans, many of which were spotted clutching his book (he did a signing afterward), adding to the unified feeling in the room, although every so often the phrase “as you probably know” was overused.

The main themes of Kermode’s talk centred around the (in his view, unfortunate) rise of 3D cinema and how he believes cinema can be returned back to its glory days. While immensely funny, “we can make films good…or pointy”, it was also highly educational, explaining how old 3D cinema is and how unpopular it has always been, this is clearly a man who knows his stuff and who put his points across with such charm and justification you found it hard to argue with him and simply joined the waves of heads nodding along in agreement. Even his slightly more controversial ideas, such as simultaneous release of films on all platforms in order to eradicate piracy were so well put across you couldn’t really fault the idea and Kermode kept the pace light throughout, dotting his opinions with amusing anecdotes so at no time did you feel attacked or left out.

While at times it did feel as though Kermode was indulging his own ego slightly in quoting Danny Dyer’s belief Kermode as a critic has damaged Dyer’s career, you could forgive him for it due to his own amusement at the idea. He also, in his defence, explained well how critics have very little influence over box office takings and stated the ironic fact that if a critic pans a film, people will go and see it for themselves to see how bad it really is!

He concluded his talk in a moment of seriousness concisely and with real balance of opinion (although they’re wrong and we’re right) expressing his true wish for cinema to go back to a theatrical experience it used to be in order to attract back those driven away from theatres. And though, at this point it did feel like a very well-rehearsed essay, I would have given him top marks for it.

Kermode then moved onto audience questions, which allowed for the variety of topics that may have felt lacking in the main talk to be discussed, such as the future of the British Film Industry and physical special effects V.S CGI, the opinions expressed of which I am happy to admit changed a few of my own. Kermode also gladly indulged an audience member by reading out a Facebook page intended to raise awareness to restore The Regal Cinema in Lichfield and we all got to say hello to Jason Issacs.  

Overall it was a highly enjoyable evening, and every audience member came out gabbling furiously about some film topic or another. Kermode’s work was done; he’d made us all talk about film.

Rating: 4 ½ / 5 Stars